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Location: Home / Toys & Games Indoors / Electronic Games / Bontempi speak and play organ with microphone
Bontempi speak and play organ with microphone
speak and play organ with microphone
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| | |  | $599.00 Korg R3 Synthesizer and Vocoder Keyboard with Microphone 
The Korg R3 is a powerful yet compact synthesizer with sounds, form, and features that will attract all manner of musicians and producers. Introducing the new R3! The R3 is a full-fledged synthesizer that provides an easy and affordable way to enjoy sophisticated synthesis and advanced sound creation. In a compact and light-weight body, it packs 37 full-size, velocity sensing keys, along with two-timbre/eight-voice performance power. The sound generator section uses the same acclaimed MMT (Multiple Modeling Technology) used by the KORG RADIAS, delivering thick, gutsy, and crisp analog sounds. With quality that will satisfy both professionals and beginners, the R3 is a great choice for adding synth sounds on stage or in music production. Korg R3 Features 128 Programs, all organized by sound category for fast access. An R3 Program consists of two complete Timbres – each is a complete synth sound including dual Insert effects. The Program itself offers a master effect, plus an 8 step arpeggiator. Two oscillators combine to offer analog-modeled waves, PCM waves, noise, ring mod and more. Waveform modulation, Variable Phase Modulation (VPM), Unison voice thickening, PWM and cross-mod expand the sonic palette. Dual Filters can run in series, parallel, or side by side (individual for each oscillator). Filter1 features a resonant filter design covering 24 dB low pass, 12 dB low pass plus 12 dB high and band pass, with continuously variable “morphing” between these states. Filter2 offers 12dB versions of the low, high and band pass modes, plus a unique comb filter. Two LFOs and three ADSR envelopes shape the sound and add cyclic motion to nearly any voice parameter. Connect various modulations sources and destinations together using the six Virtual Patches. Modulation Sequencers (1-per Timbre) provide discrete values to a modulation parameter that change over time, either in stepped or smooth motion, and can loop over and over. Audio inputs allow any audio signal to be gated and filtered using the internal synthesis and effects. “Drive” adds analog warmth, Punch brings increased definition to the attack of a sound, and 12-types of Wave Shaping provides dramatic timbral shaping – even offering virtual “pick-up” response. Two insert effects and a two-band EQ can be assigned to each Timbre. Choose from thirty different effect types. The vocoder offers 16 bands with individual control over level and panning. Formant Motion records the formant of a sung or spoken phrase so it can be recreated anytime. A gooseneck mic is included. Arpeggiator with individual step on/off feature. 4 Performance knobs each with a dedicated display and “halo-style” LEDs to see parameter names and values. 37 full-size, velocity sensing keys; Pitch and Mod wheels. Manage sounds with the free sound editing and librarian software. A single USB connection allows quick and easy data transfer. MMT Synthesis The versatile range of built-in oscillator algorithms covers everything from familiar analog synthesizer waveforms, to unique digital waveforms and even live audio input. For each voice, the R3 provides two oscillators. Oscillator 1 (OSC1) gives you a choice of seven waveforms including sawtooth, pulse, formant, noise, and DWGS, as well as allowing you to select an external audio source connected to the AUDIO INPUT 1 and 2 jacks. To enhance the basic analog synthesizer waveforms such as the sawtooth, pulse and triangle waves, you can apply cross modulation, pulse-width modulation, unison voice-thickening, or even VPM (Variable Phase Modulation). Oscillator 2 (OSC2) gives you a choice of four waveforms such as sawtooth and sine, and can also be used as a modulation oscillator to apply sync modulation, ring modulation or a combination of the two for distinctively analog synthesizer sounds. The noise generator (NOISE) p American Musical Supply |
| | $599.00 Korg R3 (37-Key MMT Synth w/Vocoder) 
The R3 is a full-fledged synthesizer that provides an easy and affordable way to enjoy sophisticated synthesis and advanced sound creation. In a compact and light-weight body, it packs 37 full-size, velocity sensing keys, along with two-timbre/eight-voice performance power. The sound generator section uses the same acclaimed MMT (Multiple Modeling Technology) used by the KORG RADIAS, delivering thick, gutsy, and crisp analog sounds. With quality that will satisfy both professionals and beginners, the R3 is a great choice for adding synth sounds on stage or in music production.Korg R3 at a Glance:MMT synthesisTwo filters with selectable routingAmp section with a Drive/Waveshaping circuitMultiple EGs and LFOsVirtual Patches for sophisticated sound-creationDramatic tonal changes from the Modulation SequencerFormant Motion produces personalized Vocoder soundsEffects to enhance the soundFlexible arpeggiator128 powerful programsProcess and transform external audio sourcesEditor/librarian software includedMMT synthesisThe versatile range of built-in oscillator algorithms covers everything from familiar analog synthesizer waveforms, to unique digital waveforms and even live audio input. For each voice, the R3 provides two oscillators. Oscillator 1 (OSC1) gives you a choice of seven waveforms including sawtooth, pulse, formant, noise, and DWGS, as well as allowing you to select an external audio source connected to the AUDIO INPUT 1 and 2 jacks. To enhance the basic analog synthesizer waveforms such as the sawtooth, pulse and triangle waves, you can apply cross modulation, pulse-width modulation, unison voice-thickening, or even VPM (Variable Phase Modulation).Oscillator 2 (OSC2) gives you a choice of four waveforms such as sawtooth and sine, and can also be used as a modulation oscillator to apply sync modulation, ring modulation or a combination of the two for distinctively analog synthesizer sounds. The noise generator (NOISE) produces white noise, and provides a useful way to create breath noise for wind instrument sounds, or to produce evocative sound effects. The sawtooth wave and pulse wave use the same basic low-aliasing design as the AL-1 Analog Synthesizer found in Korg's flagship OASYS synthesizer.Two filters with selectable routingThe R3 features a dual filter structure that can be configured in series, parallel or an individual structure allowing each oscillator to have its own dedicated filter. Filter 1 is a multi-mode resonant design that lets you continuously vary between various lowpass, highpass and band reject characteristics. Filter 2 has a switchable, multi-mode resonant design that also includes comb filtering, which can be made to feed back in order to boost multiple series of overtones, giving you amazing potential for generating unique tonal changes.Amp section with a Drive/Waveshaping circuitThe Drive circuit lets you create the subtle yet distinctive distortion typical of an analog synthesizer, or generate new overtones by deeply overdriving the sound. The Waveshaping circuit gives you twelve types of transformation including hard clipping, and can be used as a decimator to produce typically digital roughness by converting the sampling frequency. It can even be used as a sub-oscillator, opening up new sound-making possibilities. The Drive/Waveshaping circuit can be placed either before the amp section or immediately before Filter 1 to give you different nuances of sound. With additional parameters - such as the Punch Level setting that emphasizes the attack, giving greater impact to percussive sounds - you have the tools to enjoy radical creativity that's not restricted by concepts of the past.Multiple EGs and LFOsEach voice provides three ADSR envelope generators (EG) for classic analog synthesis control over pitch, filter and amp characteristics. The classic and intuitive four-stage ADSR design has been enhanced with five different attack and release curves, allowing the EG contours to be crafted with new l Sweetwater |
| | $599.00 Korg R3 Synthesizer / Vocoder Keyboard 
The Korg R3 is powered by the MMT (Multiple Modeling Technology) analog synthesis-modeling sound engine and delivers 2-timbre/8-voice performance in an easy-to-use 37-key 'board. 128 programs deliver crucial synth sounds from leads and pads to strings and percussion with 2 oscillators, 3 envelope generators, 2 filters, an amp section, effects, and a noise generator available for each voice. In addition to the vocoder which works with the onboard mic input, it has a modulation sequencer for precision 16-step control of modulation movement.MMT synthesisThe versatile range of built-in oscillator algorithms covers everything from familiar analog synthesizer waveforms, to unique digital waveforms and even live audio input. For each voice, the R3 provides two oscillators. Oscillator 1 (OSC1) gives you a choice of seven waveforms including sawtooth, pulse, formant, noise, and DWGS, as well as allowing you to select an external audio source connected to the AUDIO INPUT 1 and 2 jacks. To enhance the basic analog synthesizer waveforms such as the sawtooth, pulse and triangle waves, you can apply cross modulation, pulse-width modulation, unison voice-thickening, or even VPM (Variable Phase Modulation).Oscillator 2 (OSC2) gives you a choice of four waveforms such as sawtooth and sine, and can also be used as a modulation oscillator to apply sync modulation, ring modulation or a combination of the two for distinctively analog synthesizer sounds. The noise generator (NOISE) produces white noise, and provides a useful way to create breath noise for wind instrument sounds, or to produce evocative sound effects. The sawtooth wave and pulse wave use the same basic low-aliasing design as the AL-1 Analog Synthesizer found in Korg's flagship OASYS synthesizer.Two filters with selectable routingThe R3 features a dual filter structure that can be configured in series, parallel or an individual structure allowing each oscillator to have its own dedicated filter. Filter 1 is a multi-mode resonant design that lets you continuously vary between various low-pass, high-pass and band reject characteristics. Filter 2 has a switchable, multi-mode resonant design that also includes comb filtering, which can be made to feed back in order to boost multiple series of overtones, giving you amazing potential for generating unique tonal changes.Amp section with a Drive/Waveshaping circuitThe Drive circuit lets you create the subtle yet distinctive distortion typical of an analog synthesizer, or generate new overtones by deeply overdriving the sound. The Waveshaping circuit gives you twelve types of transformation including hard clipping, and can be used as a decimator to produce typically digital roughness by converting the sampling frequency. It can even be used as a sub-oscillator, opening up new sound-making possibilities. The Drive/Waveshaping circuit can be placed either before the amp section or immediately before Filter 1 to give you different nuances of sound. With additional parameters - such as the Punch Level setting that emphasizes the attack, giving greater impact to percussive sounds - you have the tools to enjoy radical creativity that's not restricted by concepts of the past.Multiple EGs and LFOsEach voice provides three ADSR envelope generators (EG) for classic analog synthesis control over pitch, filter and amp characteristics. The classic and intuitive four-stage ADSR design has been enhanced with five different attack and release curves, allowing the EG contours to be crafted with new levels of precision and articulation.Two LFOs with six waveform choices can be used to apply cyclic modulation to synth parameters. High-speed digital processing ensures that vibrato, wah, and tremolo will produce extremely smooth tonal changes, and each waveform can be extensively modified via the Shape control, greatly expanding the versatility of the LFO section for creating highly complex types of modulation.Virtual Patches for sophisticated sound-creationThe R Musician's Friend |
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| speak and play organ with microphone |
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| | | | Korg R3 Synthesizer and Vocoder Keyboard with Microphone
The Korg R3 is a powerful yet compact synthesizer with sounds, form, and features that will attract all manner of musicians and producers. Introducing the new R3! The R3 is a full-fledged synthesizer that provides an easy and affordable way to enjoy sophisticated synthesis and advanced sound creation. In a compact and light-weight body, it packs 37 full-size, velocity sensing keys, along with two-timbre/eight-voice performance power. The sound generator section uses the same acclaimed MMT (Multiple Modeling Technology) used by the KORG RADIAS, delivering thick, gutsy, and crisp analog sounds. With quality that will satisfy both professionals and beginners, the R3 is a great choice for adding synth sounds on stage or in music production. Korg R3 Features 128 Programs, all organized by sound category for fast access. An R3 Program consists of two complete Timbres – each is a complete synth sound including dual Insert effects. The Program itself offers a master effect, plus an 8 step arpeggiator. Two oscillators combine to offer analog-modeled waves, PCM waves, noise, ring mod and more. Waveform modulation, Variable Phase Modulation (VPM), Unison voice thickening, PWM and cross-mod expand the sonic palette. Dual Filters can run in series, parallel, or side by side (individual for each oscillator). Filter1 features a resonant filter design covering 24 dB low pass, 12 dB low pass plus 12 dB high and band pass, with continuously variable “morphing” between these states. Filter2 offers 12dB versions of the low, high and band pass modes, plus a unique comb filter. Two LFOs and three ADSR envelopes shape the sound and add cyclic motion to nearly any voice parameter. Connect various modulations sources and destinations together using the six Virtual Patches. Modulation Sequencers (1-per Timbre) provide discrete values to a modulation parameter that change over time, either in stepped or smooth motion, and can loop over and over. Audio inputs allow any audio signal to be gated and filtered using the internal synthesis and effects. “Drive” adds analog warmth, Punch brings increased definition to the attack of a sound, and 12-types of Wave Shaping provides dramatic timbral shaping – even offering virtual “pick-up” response. Two insert effects and a two-band EQ can be assigned to each Timbre. Choose from thirty different effect types. The vocoder offers 16 bands with individual control over level and panning. Formant Motion records the formant of a sung or spoken phrase so it can be recreated anytime. A gooseneck mic is included. Arpeggiator with individual step on/off feature. 4 Performance knobs each with a dedicated display and “halo-style” LEDs to see parameter names and values. 37 full-size, velocity sensing keys; Pitch and Mod wheels. Manage sounds with the free sound editing and librarian software. A single USB connection allows quick and easy data transfer. MMT Synthesis The versatile range of built-in oscillator algorithms covers everything from familiar analog synthesizer waveforms, to unique digital waveforms and even live audio input. For each voice, the R3 provides two oscillators. Oscillator 1 (OSC1) gives you a choice of seven waveforms including sawtooth, pulse, formant, noise, and DWGS, as well as allowing you to select an external audio source connected to the AUDIO INPUT 1 and 2 jacks. To enhance the basic analog synthesizer waveforms such as the sawtooth, pulse and triangle waves, you can apply cross modulation, pulse-width modulation, unison voice-thickening, or even VPM (Variable Phase Modulation). Oscillator 2 (OSC2) gives you a choice of four waveforms such as sawtooth and sine, and can also be used as a modulation oscillator to apply sync modulation, ring modulation or a combination of the two for distinctively analog synthesizer sounds. The noise generator (NOISE) p American Musical Supply |
| | Korg R3 (37-Key MMT Synth w/Vocoder)
The R3 is a full-fledged synthesizer that provides an easy and affordable way to enjoy sophisticated synthesis and advanced sound creation. In a compact and light-weight body, it packs 37 full-size, velocity sensing keys, along with two-timbre/eight-voice performance power. The sound generator section uses the same acclaimed MMT (Multiple Modeling Technology) used by the KORG RADIAS, delivering thick, gutsy, and crisp analog sounds. With quality that will satisfy both professionals and beginners, the R3 is a great choice for adding synth sounds on stage or in music production.Korg R3 at a Glance:MMT synthesisTwo filters with selectable routingAmp section with a Drive/Waveshaping circuitMultiple EGs and LFOsVirtual Patches for sophisticated sound-creationDramatic tonal changes from the Modulation SequencerFormant Motion produces personalized Vocoder soundsEffects to enhance the soundFlexible arpeggiator128 powerful programsProcess and transform external audio sourcesEditor/librarian software includedMMT synthesisThe versatile range of built-in oscillator algorithms covers everything from familiar analog synthesizer waveforms, to unique digital waveforms and even live audio input. For each voice, the R3 provides two oscillators. Oscillator 1 (OSC1) gives you a choice of seven waveforms including sawtooth, pulse, formant, noise, and DWGS, as well as allowing you to select an external audio source connected to the AUDIO INPUT 1 and 2 jacks. To enhance the basic analog synthesizer waveforms such as the sawtooth, pulse and triangle waves, you can apply cross modulation, pulse-width modulation, unison voice-thickening, or even VPM (Variable Phase Modulation).Oscillator 2 (OSC2) gives you a choice of four waveforms such as sawtooth and sine, and can also be used as a modulation oscillator to apply sync modulation, ring modulation or a combination of the two for distinctively analog synthesizer sounds. The noise generator (NOISE) produces white noise, and provides a useful way to create breath noise for wind instrument sounds, or to produce evocative sound effects. The sawtooth wave and pulse wave use the same basic low-aliasing design as the AL-1 Analog Synthesizer found in Korg's flagship OASYS synthesizer.Two filters with selectable routingThe R3 features a dual filter structure that can be configured in series, parallel or an individual structure allowing each oscillator to have its own dedicated filter. Filter 1 is a multi-mode resonant design that lets you continuously vary between various lowpass, highpass and band reject characteristics. Filter 2 has a switchable, multi-mode resonant design that also includes comb filtering, which can be made to feed back in order to boost multiple series of overtones, giving you amazing potential for generating unique tonal changes.Amp section with a Drive/Waveshaping circuitThe Drive circuit lets you create the subtle yet distinctive distortion typical of an analog synthesizer, or generate new overtones by deeply overdriving the sound. The Waveshaping circuit gives you twelve types of transformation including hard clipping, and can be used as a decimator to produce typically digital roughness by converting the sampling frequency. It can even be used as a sub-oscillator, opening up new sound-making possibilities. The Drive/Waveshaping circuit can be placed either before the amp section or immediately before Filter 1 to give you different nuances of sound. With additional parameters - such as the Punch Level setting that emphasizes the attack, giving greater impact to percussive sounds - you have the tools to enjoy radical creativity that's not restricted by concepts of the past.Multiple EGs and LFOsEach voice provides three ADSR envelope generators (EG) for classic analog synthesis control over pitch, filter and amp characteristics. The classic and intuitive four-stage ADSR design has been enhanced with five different attack and release curves, allowing the EG contours to be crafted with new l Sweetwater |
| | Korg R3 Synthesizer / Vocoder Keyboard
The Korg R3 is powered by the MMT (Multiple Modeling Technology) analog synthesis-modeling sound engine and delivers 2-timbre/8-voice performance in an easy-to-use 37-key 'board. 128 programs deliver crucial synth sounds from leads and pads to strings and percussion with 2 oscillators, 3 envelope generators, 2 filters, an amp section, effects, and a noise generator available for each voice. In addition to the vocoder which works with the onboard mic input, it has a modulation sequencer for precision 16-step control of modulation movement.MMT synthesisThe versatile range of built-in oscillator algorithms covers everything from familiar analog synthesizer waveforms, to unique digital waveforms and even live audio input. For each voice, the R3 provides two oscillators. Oscillator 1 (OSC1) gives you a choice of seven waveforms including sawtooth, pulse, formant, noise, and DWGS, as well as allowing you to select an external audio source connected to the AUDIO INPUT 1 and 2 jacks. To enhance the basic analog synthesizer waveforms such as the sawtooth, pulse and triangle waves, you can apply cross modulation, pulse-width modulation, unison voice-thickening, or even VPM (Variable Phase Modulation).Oscillator 2 (OSC2) gives you a choice of four waveforms such as sawtooth and sine, and can also be used as a modulation oscillator to apply sync modulation, ring modulation or a combination of the two for distinctively analog synthesizer sounds. The noise generator (NOISE) produces white noise, and provides a useful way to create breath noise for wind instrument sounds, or to produce evocative sound effects. The sawtooth wave and pulse wave use the same basic low-aliasing design as the AL-1 Analog Synthesizer found in Korg's flagship OASYS synthesizer.Two filters with selectable routingThe R3 features a dual filter structure that can be configured in series, parallel or an individual structure allowing each oscillator to have its own dedicated filter. Filter 1 is a multi-mode resonant design that lets you continuously vary between various low-pass, high-pass and band reject characteristics. Filter 2 has a switchable, multi-mode resonant design that also includes comb filtering, which can be made to feed back in order to boost multiple series of overtones, giving you amazing potential for generating unique tonal changes.Amp section with a Drive/Waveshaping circuitThe Drive circuit lets you create the subtle yet distinctive distortion typical of an analog synthesizer, or generate new overtones by deeply overdriving the sound. The Waveshaping circuit gives you twelve types of transformation including hard clipping, and can be used as a decimator to produce typically digital roughness by converting the sampling frequency. It can even be used as a sub-oscillator, opening up new sound-making possibilities. The Drive/Waveshaping circuit can be placed either before the amp section or immediately before Filter 1 to give you different nuances of sound. With additional parameters - such as the Punch Level setting that emphasizes the attack, giving greater impact to percussive sounds - you have the tools to enjoy radical creativity that's not restricted by concepts of the past.Multiple EGs and LFOsEach voice provides three ADSR envelope generators (EG) for classic analog synthesis control over pitch, filter and amp characteristics. The classic and intuitive four-stage ADSR design has been enhanced with five different attack and release curves, allowing the EG contours to be crafted with new levels of precision and articulation.Two LFOs with six waveform choices can be used to apply cyclic modulation to synth parameters. High-speed digital processing ensures that vibrato, wah, and tremolo will produce extremely smooth tonal changes, and each waveform can be extensively modified via the Shape control, greatly expanding the versatility of the LFO section for creating highly complex types of modulation.Virtual Patches for sophisticated sound-creationThe R Musician's Friend |
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