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Location: Home / Joke Shop / Funny Stuff / Gruesome Horror - Small Creeping Hairy Rat
Gruesome Horror - Small Creeping Hairy Rat
These life sized furry rat decorations would look really surprising on your meal table, in the kitch
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 | $70.00 Body Horror: Photojournalism, Catastrophe and War (Critical Image) 
What compels us to look at shocking photographs or, alternatively, to look away? Should the media use disturbing images to inform, at the risk of offending? How is our sense of politics, morality, and culture affected when we are exposed to gruesome images of accidents and disasters, murder and execution, grief and death? In Body Horror, John Taylor addresses these questions by examining how the media presents unsettling pictures, especially those of dead and injured foreigners. Drawing on recent experiences in the Gulf, Bosnia and Rwanda, Taylor argues that documentary photography, for all the horror it reproduces, ultimately defines a democracy. Fully aware of the voyeuristic aspects of photojournalism, Taylor probes the difficulty of applying moral imperatives when separating the utility of showing images of suffering and violence from the risk of either insulting or gratifying public sensibilities. A compelling documentary of photography's cultural and political power, Body Horror analyzes the moral responsibility attached to publishing and bearing witness to photographs of violence, and the historical amnesia that arises when such imagery remains unseen. Amazon |
| | | $7.99 Rats: Night of Terror 
A hybrid of the post-nuke action and gross-out gore film, this passably entertaining venture from splatter-maven Bruno Mattei (directing here as Vincent Dawn), aided by Claudio Fragasso (as Clyde Anderson), features killer rats attacking bikers in an apocalyptic wasteland. A nuclear bomb made the surface world unlivable, so most of humankind lived underground for many years. This drove rats to the surface, where they became super-intelligent flesh-hungry mutants. After about a hundred years, a group calling themselves the new primitives returned to the surface to try and revitalize society. The action picks up in 225 A.B. (that's After the Bomb), when a motley group of cycle-riding toughs led by flamethrower-toting stud Kurt (Richard Raymond) and his girlfriend, Diana (Cindy Leadbetter), bed down at an abandoned research lab for the night. They see lab equipment and a bunch of mangled corpses being gnawed on by vermin, but don't know what to make of it. Says one: Computers and corpses make a bad mixture. After the usual nighttime sexual hijinks, the rats come out to play. ~ Robert Firsching, Rovi DeepDiscount.com |
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| These life sized furry rat decorations would look really surprising on your meal table, in the kitchen or in the cellar. At a glance they could be mistaken for real rats. |
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| Body Horror: Photojournalism, Catastrophe and War (Critical Image)
What compels us to look at shocking photographs or, alternatively, to look away? Should the media use disturbing images to inform, at the risk of offending? How is our sense of politics, morality, and culture affected when we are exposed to gruesome images of accidents and disasters, murder and execution, grief and death? In Body Horror, John Taylor addresses these questions by examining how the media presents unsettling pictures, especially those of dead and injured foreigners. Drawing on recent experiences in the Gulf, Bosnia and Rwanda, Taylor argues that documentary photography, for all the horror it reproduces, ultimately defines a democracy. Fully aware of the voyeuristic aspects of photojournalism, Taylor probes the difficulty of applying moral imperatives when separating the utility of showing images of suffering and violence from the risk of either insulting or gratifying public sensibilities. A compelling documentary of photography's cultural and political power, Body Horror analyzes the moral responsibility attached to publishing and bearing witness to photographs of violence, and the historical amnesia that arises when such imagery remains unseen. Amazon |
| | | Rats: Night of Terror
A hybrid of the post-nuke action and gross-out gore film, this passably entertaining venture from splatter-maven Bruno Mattei (directing here as Vincent Dawn), aided by Claudio Fragasso (as Clyde Anderson), features killer rats attacking bikers in an apocalyptic wasteland. A nuclear bomb made the surface world unlivable, so most of humankind lived underground for many years. This drove rats to the surface, where they became super-intelligent flesh-hungry mutants. After about a hundred years, a group calling themselves the new primitives returned to the surface to try and revitalize society. The action picks up in 225 A.B. (that's After the Bomb), when a motley group of cycle-riding toughs led by flamethrower-toting stud Kurt (Richard Raymond) and his girlfriend, Diana (Cindy Leadbetter), bed down at an abandoned research lab for the night. They see lab equipment and a bunch of mangled corpses being gnawed on by vermin, but don't know what to make of it. Says one: Computers and corpses make a bad mixture. After the usual nighttime sexual hijinks, the rats come out to play. ~ Robert Firsching, Rovi DeepDiscount.com |
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